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Manifestoes of Surrealism (Ann Arbor Paperbacks)

Manifestoes of Surrealism (Ann Arbor Paperbacks)Author: Andre Breton
Creators: Richard Seaver, Helen R. Lane
Publisher: University of Michigan Press
Category: Book

List Price: $18.95
Buy New: $14.20
as of 9/4/2010 15:20 MDT details
You Save: $4.75 (25%)



New (14) Used (27) from $11.99

Seller: tincanpally
Rating: 4.0 out of 5 stars 4 reviews
Sales Rank: 50918

Media: Paperback
Pages: 316
Number Of Items: 1
Shipping Weight (lbs): 0.8
Dimensions (in): 7.8 x 5.4 x 0.7

ISBN: 0472061828
Dewey Decimal Number: 700.1
EAN: 9780472061822

Publication Date: June 15, 1969
Availability: Usually ships in 1-2 business days

Also Available In:

  • Paperback - Manifestoes of Surrealism
  • Paperback - MANIFESTOS OF SURREALISM
  • Paperback - Manifestos of Surrealism
  • Unknown Binding - Manifestoes of surrealism
  • Hardcover - Manifestoes of surrealism

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Editorial Reviews:

Product Description
Presents the essential ideas of the founder of French surrealism



Customer Reviews:
5 out of 5 stars A timeless triumph of the Surrealist spirit   August 23, 1998
simo0024@tc.umn.edu (St. Paul, Minnesota)
55 out of 57 found this review helpful

"Manifestoes of Surrealism" is an extraordinary book that defines the timeless vitality of the Surrealist spirit. Speaking as a supreme oracle of Surrealist enlightenment, Breton gives us the keys to freedom from the limitations of reason, morality and aesthetic concerns. He instructs us on how to become a total Surrealist that no censorship or logic will ever stop. The texts in this volume take us into a realm where all taboos become taboo, where it is forbidden to forbid. Surrealism is defined not merely as a literary, artistic or philosophical movement, but as an explosion of the social order and a transformation of life itself. The opening section of the book is the original "Manifesto of Surrealism" from 1924. This text is the earliest formulation of the essence of the classical Surrealist spirit in its purest form. The next section, entitled "Soluble Fish," makes use of automatic writing and shows that the dream is the great vocabulary of Surrealism. The latter half of the book includes the "Second Manifesto of Surrealism" and a number of more politically oriented tracts which illustrate Breton's attempts to reconcile Surrealism with communism, an effort that ultimately proved to be untenable. What is exciting about this book is its revolutionary approach to life and its uncompromising nonconformist stance. It is a book ideally suited for the poet and the samurai, the lover and the disciple, the astronaut and the valkyrie. With these texts, Breton has tapped into the most impossible reaches of the mind and spirit, and his contribution must not be underestimated.


5 out of 5 stars indispensable and of infinite importance to dreamers   November 20, 2001
J from NY (New York)
31 out of 31 found this review helpful

It is hard to exaggerate the importance and the relevance of this book and the greatness of it's author, Andre Breton. Although a flawed and decidedly ambivalent man, Breton was the first out and out surrealist worthy of the name, seeking the spirit of magic and 'immanent transcendence' of a sort in the marvelous, a sense of mysticism and wonder in no way supernatural or otherworldly. Breton exhorts us to break the sterile and suffocating chains of rationalism and logic, and to realize the relativity of perspectives and perceptions of reality, thereby freeing both our intellect and the supreme weapon of the human mind, the imagination. The surrealist lifestyle is nothing if not a furious attempt at total liberation, and Breton knows that this cannot be said often enough. The mad, the imaginative, the dreamy and the alienated are true 'surrealists' and unwittingly live this defiant philosophy of rebellion through their resolute refusal to conform to society's norms and to replace their own thoughts with those of the uninspired, the average, the ordinary. The literary and poetic precursors Breton cites are absolutely perfect and in accordance with the ideology he is formulating:anyone who has deeply felt the power of imaginative art has felt the spirit of surrealism, and Breton was possessed by it. He once screamed furiously, "I AM SURREALISM!"--and far from seeing it as arrogant or pompous, I think he was right.


5 out of 5 stars Classic and Important Work   June 27, 2001
19 out of 19 found this review helpful

Breton's work is one of the seminal classics of twentieth century art and literature and deserves to be read, if for no other reason, purely for historical ones. However, the intersted historian will quickly be transported beyond the realm of antiquarian curiosity and into an embodied philosophy of life that profoundly critiques and challenges the status quo. In many ways, the critiques/alternatives offered by Breton and the surrealists are more desperately needed now in the beginning of the 21st century than they were in the beginning of the 20th.

As to the previous reviewers rather shallow critique, I can only say that Breton (still read in France as one of their major 20th c. poets) has written these as witty, playful, often beatiful sometimes even rambling texts. To call them terse is to either radically misuse the word or to lack an aesthetic sensibility, or perhaps both. As for the supposed rehashing of an "old, dilapitated art school that has nothing more to say", such an unsupported critique reveals far more about the reviewer than about Breton.

Enjoy this book.


2 out of 5 stars Go to a library....   May 20, 2001
Jobson (USA)
5 out of 69 found this review helpful

Basically, if you can get past the terse text you will find a very, very out-dated system of thought. Andre Breton may have been revolutionary then, but now it is just a re-hash of an old, dilapitated art school that has nothing more to say.

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